Camera Oasis

If you shoot film and have it processed at a drugstore, watch out. Walgreens and CVS are trying to steal your silver. By Eastwind41 (Own work) [Copyrighted free use], via Wikimedia Commons That's the only possible explanation as to why they no longer return your negatives when you develop color negative film. Instead of giving you prints with negatives in your photofinishing envelope, they give you prints and image files on a CD. You don't get your negatives back. By SkywalkerPL (Own work) [CC BY 3.0], via Wikimedia Commons Why? The film contains tiny particles of silver, which can be extracted and recycled, usually benefitting the photo lab. Companies used to offer kits that allowed labs to recover the silver, and you'd get your negatives back. But that technology likely isn't widely offered, since film processing declined. This page of Kodak's website talks about the process. The labs want to keep the silver. So you don't get your negatives

Rangefinder cameras from the 1970s had fast lenses and enabled you to control the lens aperture. They were quiet. And, if you were confronted by muggers, a weighty Canonet on a neck strap could be used as a defensive weapon. The downside? They used mercury batteries that were outlawed by the 1990s. Their foam light seals dissolved into gunk by the early 2000s. They didn't have built-in flashes. And some owners struggled to load the film correctly. These photos came from my Canon Canonet 28 , shot on very expired Kodak 200 print film. I hadn't seen the camera for years. (The Parkside photos were shot years ago; the flower images are more recent.) The photo processing was questionable, too. See that white squiggle in the price list shot? Dust on the negs.( More on drugstore photo processing another time.) You'll find Canon Canonets on eBay and thrift shops. If the shutter and rangefinder focus work (they don't need a battery), buy one. But, keep these thr

Your iPhone or Android might take pretty good photos. For $500+, it ought to take photos Annie Leibovitz would buy. But it doesn't. It's more like the world's most overpriced point-and-shoot camera.  Compact 35mm film cameras from the 1970s-1990s are my Kryptonite. I find most of them in thrift stores, next to audio devices with old 30-pin iPod docks. Those film cameras have better lenses than a smart phone. Flashes that actually light up a scene. They make me think about composing a picture that tells a story. And if I drop a camera I bought at a Godwill or Salvation Army, I'm out a whole $5 -- not $500 plus a pricey screen replacement. I can live with that.  Here's a brief guide to real 35mm cameras worth looking for when you're garage-sailing or cruising thrift stores. You can go retro for just a few dollars, and see if you remember how to compose a photo with a real viewfinder pressed against your brow. 10. Olympus Infinity Twin - a some

The Oldsmobile of Point-and-Shoot Cameras Olympus Infinity Twin. (c) DKassnoff, 2016 It's a gray brick. Press the shutter button, and you hear the workings of your Aunt Stella's sewing machine. It's a 1988 relic from a time when Olympus believed you only needed two focal lengths: 35mm and 70mm. That's the Olympus Infinity Twin, a thrift-store find that consumed $3.99 and promised a photographic experience comparable to driving my Uncle Arnold's Olds Starfire F-85 around the narrow streets of Bayside, NY. It did the job, but felt clunky in the execution, like the ball joints were shot. The Infinity Twin (known as the Olympus AF Twin in some regions) had a twin-lens design. The 35mm lens was the default, but a button atop the camera activated a mirror that doubled the focal length to 70mm. The 35mm, f3.5 lens was sharper and faster than the 70mm. I'm fond of Olympus' clamshell lens cover design, which first appeared with the Olympus XA film camer